Guides for beatmakers
Guides written to be useful even if you never use BeatRender: formats, settings, metadata and publishing workflows.
- 0110 MIN READ
How to make a type beat video
Formats, resolution, looping, loudness, thumbnails and tags: the complete guide to turning a type beat into a YouTube video, then cutting it for 9:16.
- 0210 MIN READ
How to publish beats to BeatStars automatically
Prepare your files, fill in the metadata that sells, handle licences and cover art, publish in batches and sync with YouTube and TikTok.
- 0312 MIN READ
Where to sell your beats: BeatStars, Airbit, TrakTrain or your own store
Commissions, payouts, licences and lock-in: what actually separates BeatStars, Airbit, TrakTrain and your own store — plus the maths that settles it.
- 0410 MIN READ
How to upload beats to YouTube in bulk
Prepare a batch, upload several beats at once, schedule releases to the hour and keep metadata consistent across an entire catalog.
- 0511 MIN READ
How to upload beats: what to settle before you click
Audio format, loudness, cover art, metadata, rights and samples: everything to settle before you upload a beat, on any platform.
- 069 MIN READ
Title, description and tag templates
One title template, one description block and a reusable tag list for every release — plus the method that stops you rewriting them on every upload.
- 0712 MIN READ
Promoting your beats on TikTok and YouTube Shorts
Where to cut the thirty seconds, which export settings, what to write in the caption and where the buy link really lives: short-form for beatmakers.
- 0817 MIN READ
Building a type beat YouTube channel
Lane, channel identity, playlists, thumbnails, Shorts, revenue and analytics: how to build a type beat YouTube channel that still runs a year from now.
- 0915 MIN READ
Beat licensing and pricing: what you actually sell
MP3, WAV, trackout, unlimited, exclusive: what each tier really allows, how to set your prices, and what the contract has to say in plain words.
- 1014 MIN READ
Splitting a beat between producers
Who owns what when a beat is co-produced: usual splits, BeatStars payouts, YouTube revenue, samples, and the written agreement that prevents a dispute.
- 1116 MIN READ
How often should you upload type beats
How often to release, how to build a buffer of finished beats, where to place your slots, and how to restart a channel after a gap without wrecking it.
- 1212 MIN READ
How to promote your BeatStars beats on YouTube
Where the buy link goes, what belongs in the two visible lines of a description, what the pinned comment is for, and how to find out which video actually sold.
- 1314 MIN READ
Connecting your accounts to an upload tool
Password, OAuth or browser extension: what an upload tool really gets on your accounts, what it cannot do, and how to take the access back.
Where should you start?
If you have not published anything yet, start with the uploading guide: it covers what holds true on every platform — master format, cover art, metadata, rights — and saves you redoing that work everywhere you publish. Follow it with the video guide: on YouTube the video is the entry format, and everything else depends on it. If you already publish but the pace keeps slipping, go straight to the upload schedule guide: that is almost always where consistency breaks, and it is the easiest part to win back — the bulk uploading guide then takes over for the mechanics of pushing a batch. If your catalog exists and the problem is sales, the BeatStars guide covers metadata, licences and syncing across platforms. If the platform choice itself is still open — or you suspect you are in the wrong place — the BeatStars, Airbit and TrakTrain comparison covers payouts, licence contracts and what moving actually costs you. If you rewrite your titles and descriptions on every release, the templates guide is the one that pays off as soon as next week. And if all of that already runs but nobody is finding you, the TikTok and Shorts guide covers the one surface where a channel with no audience still gets shown to strangers. Finally, if you publish regularly but the channel is not going anywhere, the YouTube channel guide covers what the others leave out: the lane, playlists, thumbnail consistency, revenue and which numbers to read. And if the question left is pricing — what to charge, what each tier allows, what an exclusive really takes with it — the licensing and pricing guide is the one you read once and then apply to the whole catalog. If you produce with someone else, the guide on splitting a beat between producers picks up where licensing stops: who owns what, who collects and who pays out, and what has to be written down before the session rather than after the first sale. Finally, if the videos are running but the store is not following, the guide on promoting your BeatStars beats through YouTube covers the path between the two: where the buy link goes, what viewers actually see of a description, and how to tell which of your videos sold. And if what stops you is not production but the moment of plugging a tool into your accounts, the guide on connecting your accounts covers what each mechanism actually hands over — password, official authorisation, browser extension — and the exact place where you take the access back.
These pages are deliberately written to be useful without BeatRender: export settings, title and description templates, API quotas, choosing publishing slots. Anything that can be automated is flagged as such, but the manual method always comes first — it is what lets you judge whether an automated result is any good, and take over the day a tool fails you.